Saturday, March 27, 2021

Hippie Love Turbo Radio Show - Code Word "Honeydew"

On this episode of Hippie Love Turbo, on KUCR 88.3 FM I didn't talk too much (how's that possible?) but I did mention the first appearance of The Electric Prunes on Dick Clark's American Bandstand and how Dick Clark was amazed by the sound on their single I Had Too Much to Dream (Last Night). 

A gassy thing?
Gassy?
 

If you've ever watched American Bandstand you've probably seen how most, if not all, of the bands lip-synced the songs. However, because of the far out sounds on The Electric Prunes' recordings, it's even more apparent that the group isn't really playing. In fact, if you pay close attention you'll see that their gear isn't even plugged in! I've always wondered if the people watching at home had any idea that it wasn't really live. Sort of like how people think wrestling is real. Anyhow, a later incarnation of The Electric Prunes performed live on European television which illustrates that they did have the chops, even if they weren't able to prove it through American Bandstand.

After talking a bit about the Prunes I mentioned how Tulsa, Oklahoma was home to the garage band Young Aristocracy and how Tulsa is also home to the 6th tallest statue in the U.S., Golden Driller. To put the height in perspective, the Brontosaurus in Cabazon is about 10 feet shorter than the Golden Driller.

Golden Driller Photo Credit: ThaiTum
 
Back in the awful year of 2020, the city of Tulsa decided to repaint the Driller so that it would kind of resemble Elon Musk. This was a fun, yet sort of bizarre, attempt at enticing Tesla to build a factory in Tulsa. Because of the statue's simple features I think the result ended up looking more like a low-poly video game model; specifically one from 1997's Goldeneye 007. If you'd like to read more about the statue there is a great write-up that you can read about here. I hope to visit the Golden Driller one day. Perhaps, on my way to the Jolly Green Giant that I talked about on the Strawberry episode.

Thanks for tuning in! You can check out this week's playlist below:


 

Saturday, March 20, 2021

Hippie Love Turbo Radio Show - Code Word "Olive"

On this episode of Hippie Love Turbo, on KUCR 88.3 FM I threw out a slew of factoids that I'll quickly sum up before we get to the movie of the week. Firstly, I played Double Yellow Line by The Music Machine and mentioned that the paint that's used for road markings is mostly thermoplastic, which comes in a powder form, needs to be heated before applying to the asphalt, and typically contains glass beads which helps make the lines more visible. 

After my riveting paint rambling I talked about Os Tartaros' home city Porto, Portugal. Many people associate Port Wine with Porto because it's famously named after the city despite the fact that the wine is actually made in the Douro Valley. The wine is uniquely sweet and the grapes are still smashed by foot to this day. 

Finally, towards the end of the show you heard a cover of Jamo Thomas' I Spy (For The F.B.I.) which I mentioned was also covered by the Los Angeles mod/ska band The Untouchables. The band was one of the first, if not THE first ska bands from the US and they had a few hits on the UK charts including: Free Yourself which reached #26 in 1985. On a somewhat related note, did you know ska was around before reggae?

With all that being said it's time to check out this week's film recommendation Daimajin aka Majin the Monster of Terror. The movie mixes samurai and kaiju elements to tell the story of a village that sits at the feet of a mountain where an old demon statue god lives. The villagers respect the old demon god and appease him through ancient rituals when his anger causes earthquake-like tremors. Unfortunately for the villagers, during one of the demon god's earthquakes a group of rebel samurai successfully stage a coup against the village's samurai lord. The samurai lord's family flees to the mountains where they hide near the mountain god's resting place for a decade. Most of the movie follows the samurai's conflict and how the new samurai lord rules the village as a ruthless dictator. Because the movie is fairly short there isn't enough time for the plot to get stale and in many ways it reminds me of the pacing felt in old western movies. Of course the big payoff is in the end when the demon god awakes from his slumber and attacks the village after a botched attempt at destroying him. Unlike most Japanese monster flicks, the plot keeps your attention enough that you don't get too bored waiting to see the final conflict. It's a fun and quick watch that is worth a watch if you like samurai movies, big monster movies, or campy period pieces.

Anywho, you can check out this week's playlist below:
 

Sunday, March 14, 2021

Hippie Love Turbo Radio Show - Code Word "Apricot"

On this episode of Hippie Love Turbo, on KUCR 88.3 FM you heard The Gants play their song I'm A Snake and I mentioned that their hometown of Greenwood, Mississippi was used as a stand-in for Jackson, Mississippi during the filming of the 2011 film The Help. Although the film was nominated for many Academy Awards and Octavia Spencer won the award for Best Supporting Actress, the film has been critiqued for taking the viewpoint of white characters while perpetuating the cliche of a white savior. In fact, both Viola Davis and Bryce Dallas Howard have expressed regret towards their involvement in the film. Although Greenwood was used as a substitute location for Jackson it too has a history of racial inequity and violence. 

Getting back to the band, it doesn't seem like there's a lot of info on The Gants but I did find an interview on an archived version of their old official website. The interview goes through the bands origin and how they went on tour and shared the stage with popular bands including The Animals and The Yardbirds.

On a different note, I played Los Iberos' version of The Castaways' hit song Liar, Liar and I mentioned that Debbie Harry recorded her own take on the song for the 1988 film Married To The Mob. Before Married To The Mob Debbie Harry had also preformed on other movie soundtracks including the song Rush Rush which appeared on the soundtrack for Scarface, Feel The Spin for the film Krush Groove, and later she continued her soundtrack work with a cover of Eddie Cochran's Summertime Blues for 1993's That Night before performing on the bizarre soundtrack for the trashy (but lovable?) Texas Chainsaw Massacre: The Next Generation. Ms. Harry has done a lot of additional work as both an actress and singer on various movies over the years but one common thread in her work in film is that there's always something unusual about the projects she attaches herself to.

Speaking of unusual movies, this week's movie suggestion is American International Pictures' Dr. Goldfoot and The Bikini Machine starring the master of low budget horror Vincent Price. Unlike most of Price's work Dr.Goldfoot leans more towards a comedy than anything else but if you pay attention to the set pieces you'll see that many of them were used in other AIP films such as the spooky The Pit and The Pendulum which also starred Price. The best thing about the movie has to be the theme song by The Supremes which plays during an animated introduction made by none other than Art Clokey who is best known as the creator of Gumby and Davey and Goliath. The plot revolves around Dr. Goldfoot's foolproof plan to steal the world's wealth by creating a band of robot seductresses that obey his every command. There's more to the movie but that's the basic premise and although I'm sure everyone can predict how the film will end I think it's still zany enough to be entertaining for at least one watch. If you don't have the time to watch the full length film there is also a sequel of sorts that aired as a special episode of the variety show Shindig! The movie also got a proper sequel named Dr. Goldfoot and the Girl Bombs which I haven't seen but from everything I've read it seems like it should be avoided.

This week's playlist can be found below:
 

Saturday, March 6, 2021

Hippie Love Turbo Radio Show - Code Word "Pomelo"

On this episode of Hippie Love Turbo, on KUCR 88.3 FM you heard The Malibu's play their song Cry (Over Her) which happens to be a single that fetches a decent price on the used market due to its rarity. What I found particularly interesting about the song is that it was released by the Pepsi Corporation on a flexi-disc as a promotional giveaway in Massachusetts. I couldn't find too much information on The Malibu's Pepsi flexi-disc but according to Discogs there were a few other promotional releases which included bands such as: The Frauleins, The Ramrods, and The Royal Knights.

I know that there might be some people out there that aren't hip to what a flexi-disc is but the name explains it quite well. Flexi-discs are records that are pressed on a flexible material that was often attached to cardboard to give it some heft. Most of the time they were used as promotional material and could be found attached to cereal boxes, inside magazines, or given away at political and social events. WFMU has a neat page which showcases a few bizarre examples. 

Outside of the US blue hued flexi-discs were common place in magazines throughout the USSR where they were used to spread light-hearted music and state propaganda. Another fascinating type of flexi-disc from the Soviet Union took form in bootleg recordings which were etched into old x-rays. Possessing and distributing these recordings was illegal and the level of quality varied drastically between each disc. These bone recordings are highly sought-after by music collectors and historians alike and you can read more about their history via The Bureau of Lost Culture's website.

Although it doesn't feature any x-ray bootlegs, you can check out this week's playlist below:

 

The Chylds - Hay Girl
The Zoo - You're Crazy Man
The Other Guys - Inside Looking Out

Sunday, February 21, 2021

Kamen Rider VS Spider-Man and Batman! Hippie Love Turbo Radio Show - Code Word "Peas"

On this week's episode of Hippie Love Turbo, on KUCR 88.3 FM you heard me play a song by Christie Laume and I mentioned how she was the sister-in-law to French singer Edith Piaf. Paif had a rough upbringing which shaped her emotionally charged singing style which included songs such as: Non, Je Ne Regrette Rien and La Vie En Rose which was covered by Lady Gaga in the 2018 remake of A Star Is Born. You can read a little more about Edith Piaf here. 

During the halfway point of this episode I talked about how I've been watching the 1971 Japanese action show Kamen Rider. What I like about the show is how each episode is like a condensed B-movie that's full of rubber monsters, half-baked science fiction, and most importantly, high speed motorcycle action! The show also features campy fighting scenes that feel like a mix between the 1966 Batman series and a more violent version of Power Rangers. Speaking of Batman, in the second episode our hero fights a monstrous man/bat hybrid that has also cleverly been named Bat-Man, although the Bat-Man of Kamen Rider is a literal man with bat-like features that infects people with his viral saliva, vampire style. In a sense, Kamen Rider's Bat-Man shares more in common with the DC Comic character Man-Bat that first appeared in their 1970s Detective Comics series. 

The first episode in the series also features a man/beast hybrid that has another name that you may be familiar with, Spider-Man. Much like DC's Man-Bat, Marvel also played around with a literal version of Spider-man in their 1994 cartoon series by introducing a plot in which Peter Parker's abilities lead to him mutating into a more spider-like form until he becomes Man-Spider. Personally, my favorite twist on Spider-Man is a toss up between Spiders-Man, which is a version of Spider-Man which is made up of a bunch of spiders sharing a collective version of Peter Parker's psyche or Covered In Spiders Man, a bootleg toy made by the artist known as Obvious Plant. There are a ton of Batman and Spider-man spin offs/bootlegs and homages that could probably fill an entire book but I'll have to leave that for another day. Until then you can checkout this week's playlist below.


 

Rainy Daze - Stop Sign
The Roadrunners - LSD
The Pictorian Skiffuls - In Awhile
The Outcasts - Loving You Sometimes
The Sidekicks (Kaleidoscope) - Please Stay, Don't Go
Thorinshield - The Best Of It
Deloris Ealy - I've Been Looking
The Fame Gang - Spooky

Friday, February 12, 2021

Valentine's Day Radio Special/Playlist!

This week's episode of Hippie Love Turbo, on KUCR 88.3 FM is a Valentine's Episode! The pandemic has really been putting a damper on everyone's moods but I've noticed a lot more people seem to be getting hitched or are finding themselves hunkering down with their partners. However, there really is no denying that this year's Valentine's Day feels a little bittersweet. Because of this, every song in this episode is themed around love and how it affects the human condition. Too deep? Okay, most of the songs have love in the title. How about that?

During the show I briefly mentioned how Valentine's Day is celebrated in Japan and how it differs from how we celebrate it here in the states. In Japan the holiday focuses on female participation as women are expected to provide chocolates to their male counterparts. Men hold off on the gift giving until the next month on another holiday that's known as "White Day." What I found particularly interesting about Valentine's Day in Japan is how certain types of chocolate are reserved for the people the ladies really care about (honmei choco) and acquaintances/people you don't necessarily like get the cheap stuff (giri choco). It all gets a little intricate when it comes to how women approach the holiday in office spaces. In a somewhat unexpected turn of events, the major chocolate manufacturing company Godiva once placed a full page advertisement in The Nikkei, a popular financial newspaper in Japan, where they encouraged Japanese women to refrain from the chocolate giving practice. People were quick to question Godiva's motivation for the advertisement.

Later in the show I also briefly spoke about Necco's Sweethearts and how the formula changed before Necco went bankrupt and eventually sold the brand. My favorite phrase on a Sweetheart candy will always be "Fax me." It gets straight to the point and remains romantically neutral. Lovely.

You can check out the Valentine's Day Special's playlist below:

 

The Human Expression - Love At Psychedelic Velocity
Ravin' Blue - Love
The Girls - My Love
Tony Church and The Crusade - Love Trip
The Troyes - Love Comes, Love Dies
The Fantastic Dee-Jays - Love Is Tuff
Los Lord's - Love Me, Please Love Me

Friday, January 22, 2021

Hippie Love Turbo Radio Show - Code Word "Cauliflower"

On this week's episode of Hippie Love Turbo, on KUCR 88.3 FM I talked about the many different versions of Evil Ways, a song that most people know from the Santana cover which appears on their self-titled album from 1969. A lesser known adaptation by The Village Callers was released the same year as Santana's but the song was originally written by jazz guitarist Sonny Henry and first appeared on Willie Bobo's album Bobo Motion. In case you'd like to hear some other recordings of the song I suggest you listen to the female fronted version by The Colonists, Myrckwoode's high energy version, Chet Baker's take, or how about Johnny Mathis' passionate vocal styling? If you want to see all the many, and I mean many, different versions of the song you should look no further than Sonny Henry's writing credits on Discogs. Somewhere in my personal collection I have a compilation album released by Rhino Records which features a bunch of different versions of Louie Louie. I'd like to see a similar release that features a bunch of covers of Evil Ways.

There's been a few episodes now where I haven't suggested any movies to watch but recently I found out about Roman Coppola's 2001 release CQ and I think it's worth a view.

CQ follows an aspiring filmmaker, Paul Ballard, as he works as an editor for a science fiction film that's a mix between Barbarella and Danger: Diabolik. When Paul isn't editing the film within a film, Codename: Dragonfly, he's maneuvering between his tumultuous relationship with his girlfriend Marlene and his pet project, an experimental autobiographical documentary. 

In many ways CQ seems to be aimed at an audience of hopeful filmmakers or at least people that are interested in how the industry is run. You'll see images of Paul splicing film and people working on overdubs or miniature set pieces. Everything is presented romantically and with an air of movie magic. This, in part, is what gives the film its unique style. Although the setting feels hectic at times it's presented in a way that makes film making seem fast paced and exciting. Unfortunately, the film is constantly reminding you that the centerpiece of the plot is Codename:Dragonfly and Coppola leaves little room for character development. Every character is very flat and there is little growth over the course of the film. You can't really develop any sort of interest in anyone because every moment in the film is meant to further the plot. On particular example is Paul and Marlene's relationship. Marlene's character almost feels like she can be completely removed from the film as she's simply there to create conflict between Paul and his autobiography. We only really see Marlene complain that Paul is neglecting her and how she thinks his creative pursuits are frivolous.

That being said, I would say that you can still enjoy CQ purely for it's stylistic atmosphere. Every character seems cool or beautiful and the sets show an idealized 1960s France where anything can happen. The world that Coppola builds is a world that looks like a subdued version of Beyond the Valley of The Dolls or The Italian Job or any other typical late 60s film. It's a space that draws people like me in. You really want to walk around in that world and absorb everything. 

The film has a fairly short run time so any complaints you may have about it's floppy plot can easily be forgotten as you enjoy CQ for what it is: a love letter to the spirit and look of 1960s cinema. While I think there is a message behind the film it wasn't too apparent to me. Perhaps Coppola is telling us to follow our hearts and pursue our creative aspirations but admittedly that's probably a fairly basic reading of the film. But then again, what do I know? Most of the films I watch are based around foam brick castles and latex monsters.

You can check out this week's playlist below:

 

The Somers - ...Yet (I Don't Forget You)
Mieko Hirota - Doll House (弘田三枝子/人形の家)

Sunday, January 17, 2021

Hippie Love Turbo Radio Show - Code Word "Kale"

During this episode of Hippie Love Turbo, on KUCR 88.3 FM you heard Your Friend by Mal Ryder and The Spirits and Help Me by The Primitives. I mention this because Mal Ryder eventually left The Spirits and joined The Primitives, a band which had great success in Italy. Over the years Mal Ryder had floated through several bands with each new band releasing a few singles and playing a boatload of shows. As is often the case, band members were swapped around and bands melded into each other which makes it difficult to keep track of who did what and when they did it. At one time The Primitives even featured a young Pick Withers of Dire Straits fame! Of course, things get more complicated when you add in all of the stage names and various international releases. However, if you dig The Primitives you should check out the compilation Maladjusted which was released by Castle Music/Sanctuary Records Group Ltd. in 2001. The compilation is way easier to navigate than finding the individual singles and or bootlegs that drift in and out of the used market. For more info on Mal and The Primitives you can check out the biography section on Mal's website where he goes into all the details and also The Primitives official website. 

In another part of the show you heard The Graded Grains play their song Animal Magic and as I dug into their history I found the origin of their name particularly interesting. 

According to the band's website:
"In the mid-sixties there was a band called 'Marmalade' and on the bass drum front skin there was a “gollywog” found on  Robertson's jam - this logo is not used now as it is classed as racial!
John & Bud tried to think of a well-known logo and 'Fred' came along from Homepride.'Fred' was, and still is, on their product and one of the famous lines was 'Graded Grains make finer flour'.
In 1967 flower power was creeping in from California and they played on the words with flour/flower power."

Having never heard of a Golliwog or Robertson's Jam I checked out some images to see what all the "racial" hubbub was about. For an American audience I would describe a Golliwog as a sort of blackfaced version of a Raggedy Ann doll. It appears that Robertson's must have understood the Golliwog's racist undertones because when Robertson's Jam was exported to North America the character was absent from the label. 

Robertson's Golliwog on the left and Homepride's Fred on the right

As it goes, the Golly mascot was so beloved in the U.K. that the brand continued using him in marketing until his retirement in 2002. Over the years the company developed a strong collectable brooch campaign which has an active collectors community and many people continue to identify the Golliwog with their childhood. At the time of the character's retirement Robertson's brand director, Ginny Knox, stated that: "We are retiring Golly because we found families with kids no longer necessarily knew about him. We are not bowing to political correctness, but like with any great brand we have to move with the times." I'll let you come to your own conclusions about Robertson's ad campaign but personally I find it odd that Knox was compelled to explain that the company wasn't "bowing to political correctness." It seems that no longer using racial caricatures should be considered a good thing even if the character was never meant to be offensive.

Homepride's mascot Fred, on the other hand, appears to be free from controversy and as with Robertson's Golly, Fred has also appeared on many collectables. Admittedly, I can see how much easier it would be to collect Golliwog pins compared to Fred shaped salt and pepper shakers or ceramic mugs.

Whew. If you made your way through all that you can find this week's playlist below:

 

 
The Newman Family - Two Ton Mama

Friday, January 8, 2021

Free Small Speaker Impulse Response (IR) Pack

I've been using impulse responses for sometime now but it's only been recently that I've decided to make my own. What is an impulse response? In basic terms, impulse responses are files that capture the audio characteristics of something and give you the opportunity to apply those characteristics to your own audio. People mostly use them to copy the reverberation of a room or the sound of a certain guitar cabinet. I'll admit that I hardly understand how it works but you essentially take your audio source and run it through an IR and now your audio sounds like it's being played somewhere else, through something else, or both. IRs allow you to make sounds in places that you've never visited using countless amounts of gear. It's really outta sight.

While I don't have any fancy boutique amps I do have a bunch of old speakers that I've collected over the years that were all salvaged from toys, calculators, and other random objects that I've destroyed during my circuit bending escapades. Today I decided to finally put them to use by making IRs that I can use whenever I make music. While I was making them I thought that I might as well put them out there in the world for others to use. However, because I was originally planning on just using them for myself I didn't name any of the IRs (doh) and I haven't really messed around with their individual volumes. So when you use this pack keep in mind that it's not close to what you'd expect from a retail release. Don't get too hung up on which IR belongs to which speaker and device. Just use whichever one you think sounds best for your application.

Typically I load all my speaker and cab IRs through Audio Assault's aIR Impulse Rack which I like because of its' simple interface and ability to load multiple IRs simultaneously. Stacking IRs can lead to unique sounds that would be difficult or impossible in real life and mixing your signal with my small speaker IRs can give you a cool lo-fi sound. Have you ever wondered what a Marshall amp would sound like if it was ran through a bootleg Godzilla alarm clock? Now you can find out!

My janky adapter

To record the IRs I made an adapter by soldering some stiff wire to an RCA plug and some alligator clips. Everything was then housed in a spare Bath and Bodyworks body spray cap. Remember to recycle, reduce, and reuse! The alligator clips allowed me to run a sine sweep signal through the speakers without worrying about soldering anything to them or damaging the speakers in the process. I ran the sweep file from my Focusrite's monitor output and connected the alligator clips to each speaker's hot and ground. Simple!

When I recorded the loose speakers they sat on my desk while I mic'd them as closely as possible. For the other speakers I left them in their respective cases because the plastic grills and housings influence the way the speakers sound. The mic I used was the AKG Perception 170 and to generate the IRs I used my favorite DAW, Reaper and the ReaVerb plug-in.

Here's a list of some of the devices I recorded:

  • Bootleg Godzilla Alarm Clock
  • Electronic Buddhist Prayer Box
  • Sylvania Transistor Radio
  • Panasonic Tape Recorder
  • Korg Monotron Delay
  • Music Pretty Keyboard
  • Furby
  • Random DC Motors (I bet you didn't know you can use them as speakers!)
Below you'll find an example of what some of the IRs sound like. I ran my Squire Strat straight into my interface and used LePou's amp sim Le456. You'll hear my bridge's humbucker, then the middle single coil, and finally the neck's single coil.
 
First I played the dry signal and then everything else was 100% wet.



  • 27 seconds in you'll hear "Small Speaker 20"
  • 54 seconds in you'll hear "Small Speaker 19" 
  • 1 minute and 21 seconds you'll hear "Small Speaker 11"
  • 1 minute and 48 seconds you'll hear "Small Speaker 14"
  • 2 minutes and 15 seconds you'll hear "Small Speaker 5"
Although my example is using a guitar you can use the IRs on anything. I like mixing the dry and wet signals with the Izotope Vinyl VST to get a sort of vintage budget garage sound. If you end up using the IRs let me know! I'd love to hear what you come up with.



Sunday, January 3, 2021

Hippie Love Turbo Radio Show - Code Word "Parsley"

Here's the rundown on what you heard on this episode of Hippie Love Turbo, on KUCR 88.3 FM. Firstly, I talked about The Syn and how they played regularly at London's historic Marquee Club which was open from 1958 to 2008 and had hosted many legendary artists during their prime. In particular, they played with Jimi Hendrix during one of the busiest nights in the club's history. There's a lovely site about The Marquee Club which features an interview with Peter Banks where he mentions performing with The Syn while famous music groups such as The Beatles and Rolling Stones watched on.

"I didn't enjoy the night at all because Syn had to play two sets and we had, you know, a lot of pretty famous people in the audience and we had to come on and do one set, go off, and then come back and do another set, which was a terrible thing to do because everybody certainly didn't come to see us!" -Peter Banks

The Syn disbanded some time in '67 but reunited in 2004 with a completely different sound. The band released Syndestructible in 2005 which featured songs that were less psychedelic/garage sounding and more prog rock-ish which makes sense as both Chris Squire and Peter Banks left The Syn to form Yes. If you're like me and you don't know a lot about Yes I'm sure you'll still recognize their song Owner of A Lonely Heart which itself marked a change in Yes' sound.

Later in the show I talked about the group Los Shain's and how they were from Peru's capital Lima. Lima is home to the Larco Museum which houses hundreds of Peruvian pre-Columbian art pieces including: ceramics, textiles, and metal jewelry. I know that it's fairly unlikely that I'll ever venture out to Peru, however, the Larco Museum has a fantastic virtual tour of the museum's permanent collection that's definitely worth checking out if you are interested in early Latin American art.

 

Speaking of art, I can't forget to mention this week's movie suggestion Style Wars, a movie about young graffiti artists and B-Boys set during the late '70s and early '80s in New York. The film is a documentary that was originally made for PBS and went on to gain a cult following over the years. When it comes to documentaries I tend to like films that serve as a snapshot for specific moments in time. In Style Wars you see a New York that feels like a smaller and more isolated version of itself. A New York that's composed of train tracks, bridges, service tunnels, and abandoned building as opposed to the bright lights and towering skyscrapers that you're used to seeing in our modern media. The kids featured in the film belong to a cultural subset with unwritten rules and ethos that set them against society.

 

Some of my favorite parts of the film feature the squares that try to understand the graffiti artists and their motivations for painting subway trains. New York's mayor Ed Koch, seems especially out of touch when he explains his idea of building fences in which vicious dogs can guard the sacred subway trains from vandals or how he seems convinced that his dopey anti-graffiti campaign will make a difference with the youth. 

As you see subway trains completely covered in paint, both inside and out, you can understand why the authorities were frustrated with the graffiti, however, when they talk about the cleanup costs and how the pieces are eyesores etc. you can't help but giggle at how silly the whole thing seems. Everyone is completely unaware of just how important graffiti culture would become throughout the world and it's almost quaint when you hear people talking about how they can squash the city's vandalism problems.

Anyways, you can find this week's playlist below:

 

 
The Dept. of Sanitation - Don't Ever Leave Me

Dat En Wat - I Can Live Without You

Kitty Lanier - I Know, Oh Yes I Know

Saturday, December 19, 2020

Hippie Love Turbo Radio Show - Code Word "Nectarine"

On this episode of Hippie Love Turbo Radio Show, on KUCR 88.3 FM, I decided to keep my rambling brief again but there were a few things that I blabbed about (as is expected). Firstly, I played a song by Bobo Jenkins titled Nothing But Love and I mentioned that he is also known for his song Democrat Blues which was written on Election Day in 1952. Bobo had some reservations about Eisenhower because he felt anxiety towards how Republicans handled the Great Depression.

 

After talking about Bobo Jenkins I mentioned how Ann Brewer and The Flames were inducted into the Kansas Music Hall of Fame back in 2008. Never heard of the Kansas Music Hall of Fame? Well, the music hall is in Beloit, Kansas which is a small town with a population that hovers just below 4,000 and there is a lovely little video that documents the induction here. I'm not to sure about the title of their song that I played which is labeled Rockin' In A Wooden Sack in just about every version I could locate, however, it makes more sense that it would be Rockin' In A Wooden Shack. Who knows?

And quickly we'll go through some other topics I covered on this week's show. You heard some Shocking Blue on the episode and I talked about their most famous song Venus. I know you've heard the song either from the shaver commercial or Bananarama's cover but have you seen their respective music videos? Both are somewhat humorous with Shocking Blue looking stiff and confused while Bananarama are extremely confident in their bizarre video featuring fire, vampires (?), the devil, and some awkward dancing. Whenever I talk about Bananarama, which isn't very often, I mention the song that plays during the credits of the 1986 horror film Killer Party. It's obviously influenced by Bananarama's Cruel Summer and it doesn't really fit the tone of the film's ending but it sure is catchy. 

Towards the end of the show you heard The Shags play Don't Press Your Luck but have you ever heard of The Shaggs? If you dig music that is unusual but earnest you have to check out their only release Philosophy of The World. While you check out The Shaggs you should also add Thee Oh Sees' cover of  The Creation's If I Stay Too Long to your queue. You heard the original as the second to the last song on this week's episode.


Whew, now that that's over you can check out this week's playlist below:

 

 
Pamela Shaw - Just Like You Like It

Wayne Anthony - Stealin' Charlie Brown

Claude et ses Tribuns - J'en Ai Assez

The Reasons Why - Don't Be That Way

Tides In - Trip With Me

Lindsey Troy Post-Deap Vally, Rumi Koyama, and The Who - Hippie Love Turbo Radio Show - Code Word "Red Pontiac Potato"

This episode of Hippie Love Turbo , on KUCR 88.3 FM featured a ton of garage rock classics and a couple newer tunes by Christina Jean &...