Charlie Booth, Larry Williams, and A New Way To Listen To The Hippie Love Turbo Radio Show - Code Word "Golden Lotus Banana"

Before we dive into this episode's summary, I'd like to tell y'all about a new feature on KUCR's website where you can listen to certain programs on demand. If you aren't able to tune into Hippie Love Turbo live then checking out the online archive is pretty much the only legal way to listen to the show. It's really simple and convenient! Just click the "All shows" drop-down menu and find "Hippie Love Turbo" or use the search function and you'll find some of the latest episodes that were played on air. Unfortunately, due to copyright issues, the episodes can only stay online for a limited time so be sure to listen while you can! 

Anyway, for this episode of Hippie Love Turbo, on KUCR 88.3 FM, we bounced around genres a bit more than usual with songs ranging from rockabilly to psych. It was a ton of fun finding music for this episode and sometimes it feels good to mix things up!

The first song you heard on this episode was a single by Charlie Booth and The Blue Velvets named Gonna Find Some Lovin'. The flipside of the record, Fishin' Fits, is definitely the weaker track of the two but it still has some charm. Gonna Find Some Lovin' is one of the few Charlie Booth tracks that's easy to find due to its availability on compilations. For the most part, Booth's music is somewhat difficult to find and while Booth didn't release a lot of tracks using his own name, he did run a label named Golden Eagle which put out some rock, blues, and soul records from '62 to '68. Collectables, a reissue label from Pennsylvania, released a compilation featuring Golden Eagle artists, however, it focuses on the label's blue releases and skips some of Golden Eagle's rock releases such as Vance Charles and The Sonics, Thomas Hammond, Reed Williams, and The El Campo Jades. Hopefully, one day someone will get the rights to release Golden Eagle's complete discography.

Next up you heard Larry Williams perform Short Fat Fannie and I mentioned how Williams was an influence on many beat bands including The Beatles who recorded covers of Williams' tracks Dizzy Miss Lizzy, Slow Down, and Bad Boy. Williams is often compared to Little Richard due to their close friendship and how Williams saw a boost in promotion after Little Richard stepped away from music in the late 50s to begin preaching. Around this time Specialty Records began to polish Williams' image in hopes of generating the same success they had with Little Richard and in some ways, they achieved their goal. All Music has a general biography on Williams which dives into some of his problems with addiction and his struggles to stay relevant over the years. Towards the end of his life, Williams released a funk/disco album titled That Larry Williams that didn't quite live up to the hype of his earlier releases and featured a reworked version of his song Bony Maronie. 

Speaking of reworked songs, I also mentioned that the final artist on this episode, Big Maybelle, released a cover of Question Mark and the Mysterians' 96 Tears that successfully transitions the song into a soul banger. I'll definitely be adding it to a future episode, so keep a look out for that!

And that's about it for this episode's rundown! Thanks for reading the blog and be sure to listen over the air on KUCR 88.3FM on Saturdays at 9pm PST. You can also listen through KUCR.org, Radio Garden, or Tune-In. 

You can check out this week's playlist below:

 

Louie and The Fat Men - Fat Man
Research 1-6-12 - I Don't Walk There No More
The Spirits - So Sad
The Solid State - Wait and See

Let's Laugh at The Beatles - Beatles Novelty Records - Hippie Love Turbo Radio Show - Code Word "Cherry"

On this episode of Hippie Love Turbo, on KUCR 88.3 FM I played a strange Beatles inspired song, I'll Let You Hold My Hand, by an all-female group named The Bootles. I say "an all-female group" but in reality, I couldn't find any real solid information on the group beyond photos from their singles and their appearance on the cover of Girls In The Garage: Volume 2.

The Bootles!

 

The band's gimmick appears to be that they wore wacky boots and if their sole single had been more successful, I'm sure their shtick would've been developed further. Imagine all the strange boots they could've worn! However, the world wasn't so lucky and the band fell into obscurity. What we do know is, their single was released on GNP Crescendo with the publisher credit being assigned to Neil Music Inc. The song itself was written by Chet De Milo and Mark Wiley who also worked together on the Eartha Kitt song No Second Chance, which appears to be difficult to track down as well. On the show I mentioned that I couldn't find any American releases of the single but upon further investigation I did find one listing on Discogs. Most versions of the single I found were released in Europe with covers that say something along the lines of the song being: "America's response to The Beatles." Of course, if you hadn't already figured it out, the song is a reference to The Beatles' biggest hit in America at the time, I Want To Hold Your Hand. If you'd like to dive deeper into De Milo's musical career I suggest you check out his unusual soft rock group Soft Soul Transition, aka SST (not to be confused with the another SST) and, since I mentioned Eartha Kitt, you should listen to her cover of one of my favorite Donovan songs Wear Your Love Like Heaven.

Continuing on with the Beatles theme, I had suggested during the show that you check out the compilation Beatlemaniacs!!!: The World Of Beatles Novelty Records which features a bunch of songs that attempted to cash in on Beatlemania. Most of the songs are fairly straightforward and honestly, a little forgettable, but it's a fun glimpse into The Beatles' massive cultural impact. My favorite track on the album is Link Wray's instrumental cover of Please Please Me, which is the only song on the album I could see myself listening to regularly. Probably because it's not really a novelty song. The other highlights of the album are The Fondettes The Beatles Are In Town, The Beatleettes Only Seventeen, Rainbo's John You Went Too Far This Time, and Terry Knight's Saint Paul. 

John You Went Too Far This Time is a stand out track on the album because its singer, Rainbo, is best known today as the actress Sissy Spacek (Carrie, JFK, The Help). Before acting, Spacek initially pursued a singing career which apparently died after this release. If you are familiar with Spacek's acting career you may have already heard her sing during her performance in the Loretta Lynn biopic Coal Miner's Daughter. As for the song itself, well, it's quite a doozy. The song is strangely over produced with kitschy strings and horns behind lyrics that describe a young fan's infatuation with John Lennon. Eventually, the young fan explains how Lennon has gone "too far" as she reveals her disappointment over "that picture" which is probably a reference to the cover of John Lennon and Yoko Ono's album Unfinished Music No. 1: Two Virgins.

Now I gaze in awe before that picture. 

My mind retires to the place it was before you came. 

I love the things you showed me up 'til now, John. 

But since that picture, I don't think my love will be the same.

At the time the cover sparked quite a bit of controversy due to its fully nude depiction of Lennon and Yoko. Famously, the cover was shipped with brown paper covers that censored the offending image and there were reports that shipments to New Jersey were ceased by authorities. 

 

The Beatles as seen in The Ten Commandments - Revisited by Max Brandel in Mad Magazine

 

Of course, Lennon had also previously caused controversy in the US after an interview where Lennon compared The Beatles' success to Christianity and Jesus' disciples. John You Went Too Far This Time alludes to this incident with the lyrics: "You were something special when you said, John, that you had more disciples than the man who was too green." I was surprised that hear that the incident was reduced to such a throwaway line but I guess the writers found genitals more offensive than blasphemy. Overall, the song feels a bit hokey and strangely prudish but it's definitely an interesting look into the social values some people held in the late '60s. 

I'll definitely be revisiting Beatles novelty songs in the future but for now I'd like to say thanks for reading the blog and be sure to listen over the air on KUCR 88.3FM on Saturdays at 9pm or through KUCR.org! If you'd like, you can also listen to KUCR through Radio Garden or Tune-In. 

Also, I'd like to give a special shout-out to the O.H. (original hippie) Hippie Harmonica Hal. Hal wrote in to share his appreciation of college radio and it really made my day. Thanks for the kind words, Hal!

You can listen to this episode's playlist below:

 

Tasmanians - Baby